Running a website does not come cheaply and costs are continually rising. The task of writing musical arrangements is not done overnight. A typical arrangement can involve very many hours of work, carefully checking different sources for accuracy and in some cases buying printed music. Even when the score is complete, there is the long task of converting the music into pdf files and uploading to this website. All this work is completely unpaid. I write the arrangements run the website on my own.

For this reason, I am asking you to make a small donation for anything you download. I'll leave the amount up to you; just donate what you can afford. Please don't just leave it to someone else to donate, for the vast majority of people simply do not bother.

But honestly, I've got to live as well!

You can donate really easily by going to the Paypal logo. You'll be directed bo the PayPal Kirkpatrick Music Shop page where my name appears at the top. You just type in the figure that you wish to donante, add your credit or debit card number and that's it. The whole system is 100% secure. If you don't have a Paypal account, no problem! You can sign up for free on the Paypal page. Please help me to keep this website online by making a donation when you download.

Just click on the Paypal icon below (it appears on each anthem page too) and you can make your donation to help keep this website online.

Thank you in advance.

Colin Kirkpatrick


These arrangements are designed for youth bands, school bands and for professional ensembles. They can also be used with virtually any combination of instruments as well as standard groups. Each national anthem page contains a suggested instrumentation for symphonic band, brass band, brass ensemble, clarinet choir and stage band. from which you can down load the scores and parts. Each page also gives the wide range of parts available so that you can "pick 'n' mix" from the parts, especially if you have a non-standard ensemble or you want to create your own individual sound.

The arrangements consist of six independent parts in different transpositions, with some parts wrtten an octave higher or lower to extend the possibilities. As you may have already discovered, each anthem has a suggested arrangement of parts that you can download. Feel free to make your own decisions about instrumental voicing. If time permits, you may like to experiment with voicings. Because the arrangements are conceived for wind instruments they tend to use flat keys though by using the parts at concert pitch together with the alto clef part, they can also be played by strings.

Don't forget the piano reductions! You can use these to "fill" missing parts or to act as an accompaniment if you want to create instrumental solos, duets or trios.


During the research for these arrangements, I constantly found that there were different versions of some anthems. For example, some years ago there were no less than five different versions of the National Anthem of Liechtenstein, until the government there decided to agree on one official arrangement. I have heard two versions of the Ukraine anthem that have significant differences from the printed music, even in the melody. In all cases, I have tried very hard seek out authentic versions on which to base my arrangements. I have also consulted musical experts in different countries about which version is preferable. In a few cases, even the musical experts disagreed with each other!


I have assumed that the majority of visitors to this website are trained musicians for whom the printed notation is enough to get a pretty good idea of what the anthem sounds like. However, I have added MP3 audio files so that they can be used as accompaniments when solo or small ensembles are used. I'd suggest that whenever possible, you play these files through a decent audio system rather than use the small loudspeakers on your computer.

I know I am repeating myself but this bit is important! If you are unfamiliar with the performance conventions of a particular anthem it is always essential to check with local expertise about the preferred performance style in a given country. Sometimes pauses are placed at certain points; sometimes the last few measures are played at a distinctly slower tempo; sometimes repeats are played. Countries sometimes change their national anthem! So please check carefully. It would not be a very good idea to offend your audience, especially at the start of your concert!


For the symphonic band (or any ensemble containing only woodwind, brass and percussion instruments) these arrangements allow you a great deal of flexibility, not only in instrumentation possiblities but also in adding contrasts of instrumental colour.

If the arrangements are played exactly as they are written, every instrument would be playing all the time. While it is perfectly possible to perform the anthems in this way (and no doubt many people do), you may prefer to exercise a bit of local control and create a more original sound by creating tacet sections. This can be achieved simply with the aid of a pencil or by giving verbal instructions during the rehearsal. If you have a little arranging experience, you'll see that by making appropriate tacet sections, a wide variety of contrasting textures and tone colours can be produced.

Let's suppose that in the case of a symphonic or concert band, your woodwind section is quite strong and covers all the parts. In a hymn-like anthem such as that of the United Kingdom, God Save the Queen, trumpets and trombones could be omitted from the first eight measures to give a contrast of tone colour. Other hymn-like anthems such as those of Switzerland and Wales will lend themselves to this approach.

In many of the arrangements, Part 5 is a non-essential part which is why its use is sometimes not recommended. So if your band is a bit thin on low woodwind or brass instruments, you can leave out Part 5 completely. Actually, you may find that you prefer the sound when Part 5 is not used.

The variable instrumentation also gives a bit of extra room when instruments are missing. If half the horn section is struck down with some mysterious illness before the concert, alto saxophones could be assigned to Parts 3 and 4 in E flat, leaving Parts 1 and 2 to look after themselves. At least the anthem would sound complete, even if the remainder of the programme proved a bit of a problem.


These arrangements will adapt well to the brass band. You can produce some textural contrast by adding tacet sections, for example, by restraining (if that is the right word) the E flat soprano cornet and omitting the instrument from the quieter sections. Because the trombone parts are covered by other instruments, you could give the trombones tacet sections during the quieter sections and at the same time reduce the tone by using only 1 bass. Do feel free to adapt the suggested instrumentation to your personal preferences.


I dont suppose there are many occasions when a big band would be called upon to play a national anthem, but you never know. You'll notice that in the instrumentation suggestions that come with each anthem, I have usually omitted Part 5 from the saxophone section, partly because there are not enough saxophones and the part is usually non-essential anyway. In any case, it is covered by the third trombone. You could omit the trumpets from quieter passages, and even the trombones too, if the saxophone section is strong enough to go it alone. For smaller groups, the piano reductions should come in handy.


In theory, these arrangements can be used with full orchestra, although the use of flat keys will require more experienced string players. If you were to merely hand out the parts to all the players, every instrument would be playing all the time and the woodwind and brass sections would probably dominate the sound. The quick way around this issue is easy: create tacet sections for the woodwind and bass in various passages. Let's take the Danish national anthem, for example. The first five measures could be played by the whole orchestra. From the anacrusis at the end of measure 5, the next couple of bars could be played by strings, woodwind and horns with the full brass returning for the accented passage. If your woodwind section is strong enough, they could play from the anacrusis before measure 10 for the next two measures, with the horns playing the little fanfare motif. The strings and low woodwindmight go it alone from measure 14, bringing in all the instruments for the final tutti just before measure 18. But this is just one idea. You may well have much better ideas of your own.

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