COLIN KIRKPATRICK'S NATIONAL ANTHEMS ONLINE

KAZAKHSTAN: My Kazakhstan

Kazakhstan is the world's largest landlocked country, with an area greater than Western Europe. It is one of the six independent Turkic States and is bordered by Russia, China, Kyrgyzstan, Uzbekistan and Turkmenistan. It also borders the Caspian Sea. The capital was moved in 1997 from Almaty, Kazakhstan's largest city, to Astana. On January 7, 2006, "My Kazakhstan" was adopted as the new anthem of the country, based on a song written in 1956, with music by Shamshi Kaldayakov and lyrics by Jumeken Najimedenov. This replaced the older Anthem of the Republic of Kazakhstan. The original lyrics were modified by Nursultan Nazarbayev, the President of Kazakhstan. The anthem exists in several slightly different versions. In one version, the half note in the melody at measure 8 is played as a quarter note followed by a quarter note rest. Two extra beats are inserted into measure 13. Some recorded versions use more triplet figures than the arrangement shown here. There are also several versions of the introduction.

The anthem is sometimes performed in E minor rather than D minor. The repeat is normally played. The counter-melody that appears in the high woodwind and violin parts (measures 14-17) may be played during the repeat only if preferred.

Photo: Kazakhstan Central Concert Hall, Astana. This impressive building is one of the largest auditoriums in the world, and was designed by Manfredi Nicoletti. (Photo: © Elena Giussani)

Click on the buttons below to either preview the first page of the score (in a low resolution jpg file), or to download the entire document. Use the underlined links to download the instrumental parts you want in Adobe Acrobat. If you don't have it, you can get your free copy here. I strongly recommend you have Adobe Reader on your computer before you download the music, because this will allow the printed music to open automatically as it downloads. Don't be disappointed in the Adobe screen image, for it is low resolution for checking only. You can make high-quality prints using your right mouse button or the usual "Control+P" command. The music has been digitally scanned at 1200 dpi for professional results but the actual output will depend on your own printer settings. Always consult local expertise before performing an anthem in an unfamiliar country!

You are welcome to download as much music as you want, but please first check the "Read Me" page.

SYMPHONIC BAND - Suggested Voicing piccolo: Part 1 in C 1st flute: Part 1 in C 2nd flute: Part 2 in C oboe: Part 2 in C 1st clarinet: Part 1 in B flat 2nd clarinet: Part 2 in B flat 3rd clarinet: Part 3a in B flat alto clarinet: Part 3 in E flat 1st alto saxophone: Part 3 in E flat 2nd alto saxophone: Part 4 in E flat tenor saxophone: Part 5 in B flat baritone saxophone: Part 6 in E flat bassoon: Part 5 in C 1st trumpet: Part 1 in B flat 2nd trumpet: Part 2 in B flat 1st horn in F: Part 3 in F 2nd horn in F: Part 4 in F 1st E flat horn: Part 3 in E flat 2nd E flat horn: Part 4 in E flat baritone (TC): Part 5 in B flat baritone (BC): Part 5 in C 1st trombone: Part 4 in C 2nd trombone: Part 5 in C bass trombone: Part 6 in C tuba: Part 6 in C Bb bass (TC): Part 6 in B flat Eb bass (TC): Part 6 in E flat percussion: percussion timpani: timpani CLARINET CHOIR - Suggested Voicing Eb clarinet: Part 1 in E flat 1st clarinet: Part 1 in B flat 2nd clarinet: Part 2 in B flat 3rd clarinet: Part 3a in B flat alto clarinet: Part 4 in E flat bass clarinet: Part 6 in B flat contrabass clarinet: Part 6 in B flat piano (if used): Piano reduction STRING ENSEMBLE - Suggested Voicing Note that the flat keys used in these arrangements would make them more suitable for experienced string players. 1st violin: Part 1 in C 2nd violin: Part 2 in C viola: Part 3 in C alto violoncello: Part 4 in C double bass: Part 6 in C

BRASS BAND - Suggested Voicing soprano cornet: Part 1a in E flat solo cornet: Part 1 in B flat 2nd/3rd cornets: Part 2 in B flat repiano cornet: Part 1 in B flat or as required flugelhorn: Part 2 in B flat 1st tenor horn: Part 3 in E flat 2nd tenor horn: Part 4 in E flat baritone: Part 5 in B flat 1st trombone: Part 4 in B flat 2nd trombone: Part 5 in B flat bass trombone: Part 6 in C euphonium: Part 5 in B flat Eb bass: Part 6 in E flat Bb bass: Part 6 in B flat percussion: percussion timpani: timpani STAGE BAND or BIG BAND - Suggested Voicing 1st alto sax: Part 1 in E flat 2nd alto sax: Part 2 in E flat 3rd tenor sax: Part 3 in B flat 4th tenor sax: Part 4 in B flat 5th baritone sax: Part 6 in E flat 1st trumpet: Part 1 in B flat 2nd trumpet: Part 1 in B flat 3rd trumpet: Part 2 in B flat 4th trumpet: Part 2 in B flat 1st trombone: Part 3 in C 2nd trombone: Part 4 in C 3rd trombone: Part 5 in C tuba* or string bass: Part 6 in C piano: Piano reduction percussion: Percussion (*If no tuba, 3rd trombone could support Part 6 in C) BRASS ENSEMBLE - Suggested Voicing 1st trumpet: Part 1 in B flat 2nd trumpet: Part 2 in B flat horn in F: Part 3 in F trombone: Part 4 in C tuba: Part 6 in C

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Instrumental Possiblities for Non-standard Ensembles

These arrangements have been written so that they can be played by virtually any combination of wind instruments. They will also work with saxophone ensemble, massed brasses or even a Dixieland Band (in the unlikely event that it is expected to play a national anthem). In theory, the arrangements could be also played by strings (which is why one part is available in the alto clef) but because the arrangements tend to use flat keys they will be limited to more experienced string players. The table below shows the instrumental possibilites for each part. You may find this helpful if you prefer to "do your own thing" with the instrumental voicing to get an individual sound. You can just pick and mix from the selection below. If all this appears a bit daunting, you can always go back to the lists above and try adapting the instrumentations I have suggested. Click on the underlined links to see or download the parts.

PART 1: MELODY LINE Part 1 in C: In the treble clef but written in octaves, to extend the possible uses. Suitable for: flutes, piccolos, oboes, glockenspiels or other C-melody instruments such as violins Part 1 in B flat: One tone higher than concert pitch. Suitable for: clarinets, trumpets, cornets, flugelhorns. Part 1 in E flat: Major sixth above concert pitch. Suitable for: alto saxophone, Eb clarinet Part 1a in E flat: Minor third lower than concert pitch. Suitable for: solo Eb cornet. PART 2: ALTO LINE Part 2 in C: Same as Part 2 in C but written in octaves. Suitable for: flutes, oboes, or other C-melody instruments such as violins. Part 2 in B flat: This part is written one tone higher than concert pitch. Suitable for: trumpets, cornets, clarinets or Bb soprano saxophones. Part 2 in E flat: Major sixth above concert pitch. Suitable for: Eb alto saxophone, Eb clarinet PART 3: TENOR LINE (a) Part 3 in C: At concert pitch in the bass clef. It is intended for trombone in stage band use, normally a little high for concert band or symphonic band. Suitable for: trombones. Part 3 in F: One fifth higher that concert. Suitable for: French horns. Part 3 in E flat: One sixth higher than concert. Suitable for: Eb tenor horns or alto saxophones. Part 3 in B flat: One ninth above concert. Suitable for: Bb tenor saxophones, Bb baritones. Part 3a in B flat: One tone above concert. Intended for 3rd Bb clarinets in symphonic or marching bands but could be used by other Bb instruments. Part 3 in C (alto): At concert pitch in the alto clef. May be useful when arrangements played by strings.

PART 4: TENOR LINE (b) Part 4 in C: At concert pitch in the bass clef. Suitable for: trombones, bassoons. Part 4 in F: One fifth higher that concert. Suitable for: French horns Part 4 in E flat: One sixth higher than concert. Suitable for: Eb tenor horns or alto saxophones. Part 4 in B flat: One ninth above concert. Suitable for: Bb tenor saxophones, Bb baritones, euphoniums. PART 5: BARITONE LINE Part 5 in C: At concert pitch in the bass clef. Suitable for: trombones, bassoons. Part 5 in B flat: One ninth above concert. Suitable for: Bb tenor saxophones, Bb baritones, euphoniums. PART 6: BASS LINE Part 6 in C: At concert pitch in the bass clef in octaves. Suitable for: bass trombones, contrabassoon, tubas Part 6 in E flat: Octave and sixth higher than concert in treble clef. Suitable for: Eb basses, Eb baritone saxophone. Part 6 in B flat: One ninth higher than concert in treble clef. Suitable for: Bb basses, Bb contrabass clarinet. PERCUSSION AND TIMPANI Each anthem is supplied with a percussion part that requires three players: snare drum, bass drum and cymbals. In all the arrangements, the timpani part is limited to three drums and generally percussion has been scored somewhat lightly. Of course, if you are playing as a string ensemble or brass ensemble, the percussion woud be omitted altogether. PIANO REDUCTION This is a piano reduction of the full score and is intended to be used when the ensemble contains a piano, or when there are gaps in the ensemble. With the piano reduction, you can play this anthem as an instrumental solo, duet or trio. Anything!

Finally, the list above is intended to show the wide range of possibilities. If you have a non-standard ensemble, you may need to experiment a little with the voicings to get the sound you want. Remember that Part 5 is not essential so if you miss it out entirely, there will be no problem.

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